INTEGRATING MONGOLIAN GER AESTHETICS AND SYMBOLISM INTO MODERN INTERIOR DESIGN: AN EXPERIMENTAL STUDY ON CULTURAL INSTITUTIONS

Authors

  • BAIMANDULATU DEPARTMENT OF EDUCATIONAL STUDIES, MONGOLIAN NATIONAL UNIVERSITY OF EDUCATION, ULAANBAATAR, MONGOLIA
  • OYUN-ERDENE BAASAN DEPARTMENT OF DIDACTICS, MONGOLIAN NATIONAL UNIVERSITY OF EDUCATION, ULAANBAATAR, MONGOLIA
  • KHULAN OJGOOSH DEPARTMENT OF LINGUISTICS, INSTITUTE OF ENGINEERING AND TECHNOLOGY, ULAANBAATAR, MONGOLIA

Keywords:

Mongolian ger, cultural heritage, interior design, symbolism, user-centered design, traditional architecture, cultural sustainability

Abstract

This study explores the integration of traditional Mongolian ger aesthetics and symbolism into modern interior design, with a focus on cultural institutions such as museums and dance halls. Through historical and theoretical analysis, 3D experimental modeling, and empirical user evaluations, the research demonstrates the viability and psychological impact of incorporating ger
elements—like symbolic spatial organization, traditional color harmony, and decorative motifs— into contemporary settings. Findings reveal high user satisfaction and cultural resonance, suggesting that these traditional elements provide both aesthetic value and psychological comfort, thereby supporting cultural identity and sustainable design.

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How to Cite

BAIMANDULATU, BAASAN, O.-E., & OJGOOSH, K. (2025). INTEGRATING MONGOLIAN GER AESTHETICS AND SYMBOLISM INTO MODERN INTERIOR DESIGN: AN EXPERIMENTAL STUDY ON CULTURAL INSTITUTIONS. TPM – Testing, Psychometrics, Methodology in Applied Psychology, 32(S5(2025): Posted 03 August), 1214–1224. Retrieved from https://tpmap.org/submission/index.php/tpm/article/view/1535

Issue

Vol. 32 No. S5(2025): Posted 03 August (2025)

Section

Articles

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This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.